
PRESENTING RAGE
May 16, 2025 • 7:30 PM • NYC
ABOUT PRESENTING RAGE
Camryn Stafford’s new work Presenting Rage will premiere on May 16, marking her professional choreographic debut and the launch of the Turning Tables Collective.
Pulling from the values of Lordean Rage, Presenting Rage explores how we can use rage as a generative tool guided by care, compassion, empathy, and love to dismantle racial hierarchy and white supremacy and push for positive social change. Dancers explore how traditional rage occupies the body and how its embodied energy can be re-directed in the pursuit of Lordean Rage. Rage is an investigative tool used to discover the multi-faceted layers of embodied and complex emotions. Presenting Rage re-defines what it means to be “angry” and imagines a world where we achieve positive social transcendence.
The creation and premiere of this new work is made possible by the support of Turning Tables Inc., The CUNY Dance Initiative, Queensborough Community College, and HR & Co.
DETAILS
May 16, 2025 • 7:30 pm
GIBNEY 280 - 53A Chambers St 2nd Floor, New York, NY
6:30 PM - 7:00 PM - VIP Curtain Call - Presented by Ticki Favaroth’s Wisdom Table
VIP Guests receive reserved seating and access to a VIP curtain call, including pre-show wine and Hors d'oeuvres, the opportunity to meet the cast, and to mingle.
7:00 PM - 7:30 PM - House Opens
7:30 PM - 8:15 PM - Premiere of PRESENTING RAGE
8:15 PM - 9:00 PM - Q&A with Light Refreshments
VIP RSVP
If you received an email invitation to Presenting Rage, please fill out this form to RSVP
TRAILER
Filmed and edited by Kirsten Pardo
PRESS RELEASE
ARTISTIC COLLABORATORS
DANCERS: Justin Daniels, Starla Edwards, Asmani Sanders, Dymon Smith, Storm Stokes
ORIGINAL MUSIC COMPOSITION: Michel Banabila
COSTUME DESIGN: Ayinde Bradford
SCENIC DESIGNERS: Cam My Nguyen, Aishah Balogun
PHOTOGRAPHY: Alice Chacon, Benjamin Harrison
VIDEOGRAPHY: Makenna Finch, Kirsten Pardo
SUPPORT PRESENTING RAGE
Your contribution will ensure that all production costs are covered, artistic collaborators are fairly compensated, and the piece has a future outside of May 16.